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Manikanandan's cinematography captures the gloss and grandeur to the minutest. Mushtaq and Farah's writing works because the writers pull out several surprises in those 2.46 hours. The execution of a number of sequences clearly shows Farah's growth as a storyteller. But the second half could've been crisper, although Shirish Kunder's editing is perfect.įarah knows what her priorities are and most importantly, knows exactly what her target audience is. Given the fact that OM SHANTI OM is a Manmohan Desai kind of a film set in the present-day, it would be foolhardy to ask questions, raise eyebrows and look for logic. When Deepika re-emerges as well, the viewer is confused, but the mystery is resolved towards the end, which, again, takes you by complete surprise. The voices that SRK keeps hearing, the 'fire' soon after the 'Dard-E-Disco' track, the mother, an old lady now, chasing Om's car, the flashes of SRK's earlier birth while receiving the Filmfare Award - the incidents that make him realize that his life was cut short in his earlier janam have been well structured. It's punar-janam now, but thankfully, there're no lightening, no fireworks, no zooming of the camera on the idols of Gods. The post-interval portions only get better and better! If the initial portions are laced with humour, the second half moves into a new zone completely. When the opulent set is set to flames, it leaves you wide-eyed and awe-struck. That's a brilliant stroke from the writing as also the execution point of view. The second jhatka comes slightly before the intermission, when Arjun takes Deepika to the set of his film 'Om Shanti Om' and the entire episode that follows, right till the intermission, is spellbinding. The first twist in the tale comes as a bolt from the blue.
![shahrukh khan old songs collection shahrukh khan old songs collection](https://i.pinimg.com/736x/79/cd/e5/79cde5dbbb2f8c2ba78aa484933b9432--shahrukh-khan-songs.jpg)
For, OM SHANTI OM takes you by complete surprise at several points. False! There're similarities, but it's not a rehashed version of Ghai's film. The general feeling is, Farah Khan has remade Ghai's KARZ from Frame A to Z. He attempts to discover the mystery of his demise… Om dies in a mishap, but is reborn into the present day. Om dreams of being a superstar, but an incident changes his life forever. OM SHANTI OM tells the story of Om and Shanti. With OM SHANTI OM, he gives back to the audience what he himself grew up on - a thorough entertainer that will have the audience thirsting for more. He had drifted to other genres, which proved his range as an actor of repute and cemented his status further. We haven't seen SRK in a hardcore masala film since quite some time.
![shahrukh khan old songs collection shahrukh khan old songs collection](https://upload.wikimedia.org/wikipedia/commons/6/6e/Shah_Rukh_Khan_graces_the_launch_of_the_new_Santro.jpg)
To sum up, OM SHANTI OM is paisa vasool entertainment. Is it the 2007 adaptation of Subhash Ghai's immensely likable reincarnation film KARZ? Does it have traces of KUDRAT? Or MADHUMATI? Or MILAN? Or KARAN ARJUN? Hold on, there's a dash of KARZ, a bit of KARAN ARJUN, a sprinkling of KUDRAT, but beyond that it's a film that makes you nostalgic about 1970s Bollywood.
![shahrukh khan old songs collection shahrukh khan old songs collection](https://c.ndtvimg.com/2021-11/i8pjtrk_srk_625x300_02_November_21.jpg)
Now let's clear some myths surrounding OM SHANTI OM. It's definitely not for pseudos or advocates of arthouse cinema. This is atypical Manmohan Desai film presented in a novel avtaar by Farah Khan. Don't, for God's sake don't, raise exclamations like kab?, kyun? kahan? as OM SHANTI OM begins to unravel. Wait, a word of advice to all netizens/readers across the globe. If MAIN HOON NA was a chauka, this one hits a sixer! Shah Rukh Khan and Farah Khan's OM SHANTI OM is a true-blue masala entertainer. Refresh Page if Clip is not Buffering Watch biggest collection of Videos - Click Here Cut the crap, cut the gyan-baazi, cut the will-it-won't-it work naatak.